Publicacións (24) Publicacións de MARIA DEL CARMEN PEREZ RIU

2024

  1. Language, Sexuality and “Necessary Anachronism” in Lorraine Heath's Neo-Victorian Popular Romance Series Scandalous Gentlemen of St. James

    Conflict and Colonialism in 21st Century Romantic Historical Fiction: Repairing the Past, Repurposing History (Taylor and Francis), pp. 92-144

2021

  1. Romance reading as fandom in the context of convergence culture

    Romantic Escapes: Post-Millennial Trends in Contemporary Popular Romance Fiction (Peter Lang AG), pp. 147-174

  2. Romantic escapes in contemporary popular romance fiction

    Romantic Escapes: Post-Millennial Trends in Contemporary Popular Romance Fiction (Peter Lang AG), pp. 11-25

  3. Romantic escapes: Post-millennial trends in contemporary popular romance fiction

    Peter Lang AG, pp. 1-328

2019

  1. Cómo hacer cosas con pornografía trad.

    Cátedra

  2. Neo historical fiction: David Mitchell’s take on adventure, empire and the exoticization of the past

    Theory Now. Journal of Literature, Critique, and Thought, Vol. 2, Núm. 2, pp. 182-199

2018

  1. From "Mills and Boon" to the postmillennial boom: the production, reception and marketing of popular romance

    Broadening horizons: a peak panorama of English studies in Spain: [41th AEDEAN Conference]

2017

  1. Constructing filmic intersubjectivity through haptic visuality and poetic language in Sally Potter’s Yes (2004)

    European Journal of English Studies, Vol. 21, Núm. 3, pp. 304-318

  2. Transition, circularity and haptic space in the representation of the city. From Ruth Rendell’s Live Flesh to Pedro Almodóvar’s Carne Trémula

    Continuum, Vol. 31, Núm. 5, pp. 682-693

2015

  1. 'Don't forget this is how i earn my living': Internal focalization, subjectivity and the victorian woman artist in the adaptation of Anne Brontë's the Tenant of Wildfell Hall (BBC Miniseries, 1996)

    Bronte Studies, Vol. 40, Núm. 1, pp. 44-58

  2. To Make You See: Photography as Intermedial Resource in Theatre and Film Adaptation (Closer and The Winter Guest)

    Adaptation, Vol. 8, Núm. 2, pp. 176-191

2013

  1. "A character is either real or imaginary? If you think that, hypocrite lecteur, I can only smile..." La ficcionalización del autor/a de la literatura al cine: la ficcionalización del autor/a de la literatura al cine

    Archivum: Revista de la Facultad de Filosofía y Letras, Tomo 63, pp. 211-243

2012

  1. El cine experimental de mujeres: antecedentes y desarrollo del cine teórico feminista de los 70 en el Reino Unido

    Arbor: Ciencia, pensamiento y cultura, Núm. 758, pp. 1117-1129

  2. Las mujeres dirigen: representaciones fílmicas de una Europa multicultural ed. lit.

    Arbor: Ciencia, pensamiento y cultura

2010

  1. El retrato del doble: sobre los lenguajes del cine y el teatro

    Arbor: Ciencia, pensamiento y cultura, Núm. 741, pp. 59-68

2008

  1. Coherence in the assessment of writing skills

    ELT journal: An international journal for teachers of English to speakers of other languages, Vol. 62, Núm. 1, pp. 18-28

  2. Perversas: la mujer malvada en el cine clásico

    Artecontexto: arte, cultura, nuevos medios = art, culture, new media, Núm. 19, pp. 26-30

  3. Perverse: the wicked woman in classic cinema

    Artecontexto: arte, cultura, nuevos medios = art, culture, new media, Núm. 19, pp. 31-35

2007

  1. Matar a Medusa: el arquetipo de la víctima en el thriller psicológico

    Diosas del celuloide : arquetipos de género en el cine clásico (Ediciones Jaguar), pp. 93-124

2006

  1. Women's self-portrait as self-discovery: Negotiating the gap between seeing and being seen in Drusila Modejeska's "The Orchard" (1994)

    ES: Revista de filología inglesa, Núm. 27, pp. 151-162