MARIA DEL CARMEN
PEREZ RIU
Profesora Titular de Universidad
Publicaciones (24) Publicaciones de MARIA DEL CARMEN PEREZ RIU
2024
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Language, Sexuality and “Necessary Anachronism” in Lorraine Heath's Neo-Victorian Popular Romance Series Scandalous Gentlemen of St. James
Conflict and Colonialism in 21st Century Romantic Historical Fiction: Repairing the Past, Repurposing History (Taylor and Francis), pp. 92-144
2021
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Romance reading as fandom in the context of convergence culture
Romantic Escapes: Post-Millennial Trends in Contemporary Popular Romance Fiction (Peter Lang AG), pp. 147-174
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Romantic escapes in contemporary popular romance fiction
Romantic Escapes: Post-Millennial Trends in Contemporary Popular Romance Fiction (Peter Lang AG), pp. 11-25
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Romantic escapes: Post-millennial trends in contemporary popular romance fiction
Peter Lang AG, pp. 1-328
2019
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Cómo hacer cosas con pornografía
trad.
Cátedra
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Neo historical fiction: David Mitchell’s take on adventure, empire and the exoticization of the past
Theory Now. Journal of Literature, Critique, and Thought, Vol. 2, Núm. 2, pp. 182-199
2018
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From "Mills and Boon" to the postmillennial boom: the production, reception and marketing of popular romance
Broadening horizons: a peak panorama of English studies in Spain: [41th AEDEAN Conference]
2017
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Constructing filmic intersubjectivity through haptic visuality and poetic language in Sally Potter’s Yes (2004)
European Journal of English Studies, Vol. 21, Núm. 3, pp. 304-318
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Transition, circularity and haptic space in the representation of the city. From Ruth Rendell’s Live Flesh to Pedro Almodóvar’s Carne Trémula
Continuum, Vol. 31, Núm. 5, pp. 682-693
2015
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'Don't forget this is how i earn my living': Internal focalization, subjectivity and the victorian woman artist in the adaptation of Anne Brontë's the Tenant of Wildfell Hall (BBC Miniseries, 1996)
Bronte Studies, Vol. 40, Núm. 1, pp. 44-58
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To Make You See: Photography as Intermedial Resource in Theatre and Film Adaptation (Closer and The Winter Guest)
Adaptation, Vol. 8, Núm. 2, pp. 176-191
2013
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"A character is either real or imaginary? If you think that, hypocrite lecteur, I can only smile..." La ficcionalización del autor/a de la literatura al cine: la ficcionalización del autor/a de la literatura al cine
Archivum: Revista de la Facultad de Filosofía y Letras, Tomo 63, pp. 211-243
2012
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El cine experimental de mujeres: antecedentes y desarrollo del cine teórico feminista de los 70 en el Reino Unido
Arbor: Ciencia, pensamiento y cultura, Núm. 758, pp. 1117-1129
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Las mujeres dirigen: representaciones fílmicas de una Europa multicultural
ed. lit.
Arbor: Ciencia, pensamiento y cultura
2010
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El retrato del doble: sobre los lenguajes del cine y el teatro
Arbor: Ciencia, pensamiento y cultura, Núm. 741, pp. 59-68
2008
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Coherence in the assessment of writing skills
ELT journal: An international journal for teachers of English to speakers of other languages, Vol. 62, Núm. 1, pp. 18-28
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Perversas: la mujer malvada en el cine clásico
Artecontexto: arte, cultura, nuevos medios = art, culture, new media, Núm. 19, pp. 26-30
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Perverse: the wicked woman in classic cinema
Artecontexto: arte, cultura, nuevos medios = art, culture, new media, Núm. 19, pp. 31-35
2007
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Matar a Medusa: el arquetipo de la víctima en el thriller psicológico
Diosas del celuloide : arquetipos de género en el cine clásico (Ediciones Jaguar), pp. 93-124
2006
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Women's self-portrait as self-discovery: Negotiating the gap between seeing and being seen in Drusila Modejeska's "The Orchard" (1994)
ES: Revista de filología inglesa, Núm. 27, pp. 151-162