K-pop dance coversReclamando las calles desde la subcultura del k-pop en España

  1. Lorena Varela Domínguez 1
  1. 1 Universidad de Oviedo

    Universidad de Oviedo

    Oviedo, España

    ROR https://ror.org/006gksa02

Historia Actual Online

ISSN: 1696-2060

Year of publication: 2024

Issue: 63

Pages: 165-180

Type: Article

More publications in: Historia Actual Online


This article tries to define the K-pop consumers community as a subculture, in both the in-ternational and the Spanish level. In base of that, it will be argued that the dance cover prosumption practice contributes this subculture’s space appropriation. To analyze this process, Edward Soja’s “spa-tial trialectic”, and David Harvey’s “communalization” concepts will be used. It will be also explored the processes of negotiation between K-pop subculture and economic corporations, such as Fnac, both sides in search of a mutually beneficial symbiosis

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