«If anyone menaced my shore / I would tooth and claw and nail / for the only thing I had»La reconquista del mar como espacio de liberación patriarcal en los poemas de Mary O’Malley desde una perspectiva eco-feminista

  1. de Juan i López, Alba 1
  1. 1 Universidad de Oviedo
    info

    Universidad de Oviedo

    Oviedo, España

    ROR https://ror.org/006gksa02

Revue:
Eikasía: revista de filosofía

ISSN: 1885-5679

Année de publication: 2023

Titre de la publication: mayo-junio ¿Cuestión de género? Filosofía, mujeres, feminismos

Número: 114

Pages: 261-299

Type: Article

DOI: 10.57027/EIKASIA.114.591 DIALNET GOOGLE SCHOLAR lock_openAccès ouvert editor

D'autres publications dans: Eikasía: revista de filosofía

Objectifs de Développement Durable

Résumé

In 1993 and 2012 Irish poet Mary O’Malley published Valparaiso and Where the Rocks Float, two collections she built around the figure of the ocean and the coastal area where she grew up. In both collections, the figure of the ocean becomes an active agent denouncing the roles imposed on women in Irish society and the exploitation of blue spaces for economical purposes. Using Donna Haraway’s premises presented in Cyborg Manifesto (1985), this article will analyse a selection of texts from both collections in order to study the bond between women and oceans as active agents against patriarchal oppression and capitalist exploitation.

Références bibliographiques

  • Arditi, J. (1995), «I. Analítica de la Postmodernidad», en Donna Haraway, Ciencia, cyborgs y mujeres: la reinvención de la naturaleza. Madrid, Cátedra, pp. 8-19
  • Boland, E. (1997), «Outside History», en Outside History. Carcanet Press, pp. 49-50.
  • Biehl, J. (1991), Finding Our Way: Rethinking Ecofeminist Politics. Black Rose Books.
  • Baroudy, I. (2013), «La confluencia de Germinal de Zola y Tiempos difíciles de Dickens un caso de desafío al utilitarismo invasivo», en La Torre del Virrey: Revista de Estudios Culturales, n.º 14. Valencia, pp. 57-64.
  • Branch, Michael P. (2005), «Nature Writing» en Tom Quirk y Gary Scharnhorst (eds.), American History Through Literature 1870-1920, 2.ª ed. ‎Charles Scribner's Sons. Obtenido en: [20/01/2022]
  • Carson, R. (2019), El mar que nos rodea. Barcelona, Crítica.
  • Clutterbuck, C. (2007), «Good Faith in Religion and Art: The Later Poetry of Eiléan Ní Chuilleanáin», en Irish University Review, 37 (1). Edinburgh University Press, pp. 131-156. [20/01/2023].
  • Dittmeier, C. (2021), Mother Ireland in Trouble: A Posthumanist and New Materialist Analysis of Nature in Irish Women’s Contemporary Poetry. Trabajo de máster. Villanova University. [20/01/2023].
  • Dhomhnaill, N. N. (2011), The fifty minute mermaid (P. Muldoon, trans.). The Gallery Press.
  • Foucault, M. (1985), Las palabras y las cosas. Barcelona, Planeta de Agostini.
  • García- Selgas, F. (1995) «Reapropiación del discurso científico: Las resistencias de lo fluido», en Donna Haraway, Ciencia, cyborgs y mujeres: la reinvención de la naturaleza. Madrid, Cátedra, pp. 8-19.
  • González-Arias, L. M. (2000), Otra Irlanda: la estética postnacionalista de poetas y artistas irlandesas contemporáneas. Oviedo, Universidad de Oviedo.
  • Magee, R. M. (2014), «Reintegrating Human and Nature», en Douglas A. Vakoch (ed.), Feminist Ecocriticism: Environment, Women, and Literature. Lexington Books, pp. 89-102.
  • Meehan, P. (1991), «The Statue of the Virgin at Granard Speaks», en The Man Who Was Marked by Winter. The Gallery Press, pp. 40-41.
  • Mills, L. (1995), «‘I Won't Go Back to It’: Irish Women Poets and the Iconic Feminine», en Feminist Review, 50 (1), pp. 69-88, [20/01/2023].
  • Morton, Timothy (2010), The Ecological Thought. Cambridge, Harvard University Press.
  • O'Brien, E. (2022), «'A Stain from the Sky is Descending': The Poetics of Climate Change in Irish Poetry», en Eugene O'Brien y Andrew J. Auge (eds.), Contemporary Irish poetry and the Climate Crisis. Routledge, Taylor & Francis Group, pp. 178-198.
  • O’Malley, M. (2014), Mary O'Malley. Festival Isla 2014. Instituto Cervantes de Dublín entrevista realizada por Eleanor Molloy [vídeo].
  • O'Malley, M. (2012a), Valparaiso. Carcanet.
  • O’Malley, M. (2012b), «Interview with Mary O’Malley», en The Poetry Ireland Review, 108: 37-44. [20/01/2023].
  • O'Malley, M. (1993), Where the rocks float. Salmon Publications.
  • Ortner, Sherry B. (1974), «Is female to male as nature is to culture?», en M. Z. Rosaldo and L. Lamphere (eds), Woman, culture, and society. Stanford, CA, Stanford University Press, pp. 68-87.
  • Otto, Eric C (2014), «Ecofeminist Theories of Liberation in the Science Fiction of Sally Miller Gearhart, Ursula K. Le Guin, and Joan Slonczewski», en Douglas A. Vakoch (ed.), Feminist Ecocriticism: Environment, Women, and Literature. Lexington Books, pp. 24-54.