Dora Maar, la mujer que ya no llora

  1. Noemi Díaz Rodríguez 1
  1. 1 Universidad de Oviedo
    info

    Universidad de Oviedo

    Oviedo, España

    ROR https://ror.org/006gksa02

Revista:
ACCADERE. Revista de Historia del Arte

ISSN: 2660-9142

Año de publicación: 2022

Número: 4

Páginas: 11-29

Tipo: Artículo

DOI: 10.25145/J.HISTARTE.2022.04.01 DIALNET GOOGLE SCHOLAR lock_openRIULL editor

Otras publicaciones en: ACCADERE. Revista de Historia del Arte

Objetivos de desarrollo sostenible

Resumen

This article focuses on the specific study of one of the most outstanding artistic biographies of the 20th century (Dora Maar) and, at the same time, less studied by the shadow of the great Picassian genius with whom she shared part of his life. This event occurs repeatedly throughout the history of art. The female figure is quickly associated with her exclusive status as a muse. In any case, their names are misrepresented and hidden under the titles of “companion” and “lover”, locked in the artist’s drawer, with no possibility of being discovered or studied

Fuente de los datos: Dialnet