El musicograma y la percepción de la música

Abstract

The Thesis is divided in two differentiated well parts: - A theoretical study of the topics narrowly related to the axis of the work: the perception of the music, the musical semantics, cultural, structural, stylistic, emotive and symbolic meanings of the music. - A study of the musicograma like didactic tool and a work of investigation (research) to measure the efficiency of the same one in three groups of differenciated well listeners (auditors). The raised problem refers to the difficulty that the average listener has to perceive the most relevant aspects of the musical works that are those who are going to facilitate the aesthetic of the same ones to him (her). Once examined the condition (state) of the question, the principal aims (lenses) of the work are exposed: - To penetrate into the most important aspects that turn concerning the perception of the music. - To study of exhaustive form the musicograma as didactic tool.