Deshumanización y destino en las narrativas bélicas de Joseph Heller y Norman Mailercoincidencias entre "Catch-22" y "The Naked and the Dead"

Referencias bibliográficas

• CACICEDO, A. 2005. “‘You must remember this’: Trauma and Memory in Catch-22 and Slaughterhouse-Five”. Critique: Studies in Contemporary Fiction 4, XLVI: 357-368.
• GOETZ, P. W., ed. 1990. The New Encyclopaedia Britannica. Micropaedia IV. Chicago.
• HELLER, J. 1979 (1955). Catch-22. London: Transworld Publishers.
• MAILER, N. 1976 (1948). The Naked and the Dead. New York: Signet.
• MCCARTHY, D. 2003. “Fantasy and Force: A Brief Consideration of Artists and War in the American Century”. Art Journal 4, LXII: 92-100.
• MELLARD, J. M. 1980. The Exploded Form: The Modernist Novel in America. Urbana: University of Illinois.
• Siegel, P. N. 1974. “The Malign Deity of The Naked and the Dead”. Twentieth Century Literature 4: 291-297.
• STEINER, G. 1961. “Naked but not Dead”. Encounter 6, XVII: 67-70.
• TANNER, T. 1970. “The American Novelist as Entropologist”. London Magazine 7, X: 5-18.
• TANNER, T. 1979. City of Words. London: Jonathan Cape.
• TUCKER, L. 1984. “Entropy and Information Theory in Heller’s Something Happened”. Contemporary Literature 3, XXV: 323-340.
• TURNER H. S. 2000. “Empires of Objects: Accumulation and Entropy in E.M. Forster’s Howard’s End (1910)”. Twentieth Century Literature 46: 328-345.
• WALDRON, R. H. 1972. “The Naked, the Dead, and the Machine: A New Look at Norman Mailer’s First Novel”. PMLA 2, LXXXVII: 271-277.